‘’ޏ•i

Œ|pŽjŒ¤‹†-‘æ8S

’†ŽR‘åŠwŒ|pŽjŒ¤‹†’†S •Ò ’†ŽR‘åŠw 2006”N12ŒŽ
p524/16ŠJ/•½‘•
ISBN7306024957
–{S¾˜^—¹‹àˆÛ‘ø“Isq‘•ˆr–Ø–{—^q´Ã‘åŸü‘–@”é’krŽèŽÊ–{tA›I”Œ‹Î“Is•ûˆÈ’qŠG‰æŒ|p˜_—ªtA—«U‰F“Is¬“sV”­Œ»”V’£‘åç“ú‹LlŽßtA—«•¶½“Is•šãº—[wa1]}ltA›L’V“Is—«““’˜q’†‘‘–@Žj.é°W“ì–k’©Šªrt22•ј_•¶B”z290••”’‡}C36•ÊF}”ÅB”ɑ̎šB
–Ú˜^
‘æˆê•”•ª ˜_•¶
ˆê s‰æ•ˆt–Ø–{—^s´’ó‘åŸüŽq‘–@”é’ktŽèŽÊ–{ ‹àˆÛ‘ø
“ñ ‰¤ãº”Vs‰ŒŽ’Ÿt—^gŽR‰Ah-ŠÖ˜°s‰ŒŽ’Ÿt“I‘ŽÊŽžŠÔ‹y‘ŠŠÖ–â‘è —«““
ŽO s‰æ‰_‘äŽR‹Lt—^“ŒW“I’£“¹—Ë“`à —«›¦
Žl •ûˆÈ’qŠG‰æŒ|p˜_—ª ›I”Œ‹Î
Ά Discourse between Shanghai and Tokyo on the Literati Art Traditions from the Late 1920s to Mid-1930s
ccZaixin Hong
˜Z ¬“sV”­Œ»”V’£‘åç“ú‹Ll–ó —«U‰F
޵ •šãº—娲}l —«•¶½
ӻ Power of Image:A Study of Siling Combinations in Han Tomb Interiors
ccWONG Pui Yin Marianne
‹ã Remarks on Some not Well-Know Sogdian Fragmentary Wall-Paintings
ccMatteo Compareti
\ –íèÓM‹Â—^”üp-]ˆó“x“ž’†‘
cc‹{Ž¡º ’˜ —›Ãž^ –ó
\ˆê ‰„‹»“ñ”NŒð‹r–íèÓ‘œŒ£‹^ YФ
\“ñ ŽŽyŽ¢ÎŒA‹à„—ÍŽm“I“Áª‹y‘´ˆÓ‹` —ї戤
\ŽO Œ|pŽï–¡—^‰Æ‘°M‹Â•Ï‘J-ˆÈ›Áœç‘¢‘œÀˆ×’†S“I˜¢ˆÄŒ¤‹† ç·’‰–Â
\Žl ŽR“Œ_’ÊŽ›ç•§ŠR“I–Á•¶•ªÍ—^‘¢‘œ“Á“_ —À‹âŒi
\ŒÜ “Œé°–kĕ󓃖䌤‹† ‘hçéi
\˜Z –k’©ˆÇé-鄜B’n‹æ•”‘°ÎŒA“I•ªŠú—^Žvl ø‰“Žu
\޵ g‰½–@ŽtŒAh“I‘nŒš—^‘±C-”œ‚ŒA‘æ196ŒA”N‘㕪˜_ ”~—Ñ
\”ª ^—e‹ô‘œ—^‘½ŠpŒ`•æ‘’-]鉻—É•æŠÅ’†ŒÃ‘r‘’—ç‹V”üp“IˆêŽŸ“]•Ï —›´ò
\‹ã YB”ò—ˆ•ô‘æ28†êœ‘T@‘cŽt‘œlq íÂ
‘æ“ñ•”•ª ‘•]
ˆê —«““’˜s’†‘‘–@Žj.é°W“ì–k’©Šªt –ÑHàõ
“ñ ’£‘’˜s’n‘ M‹ÂŒ¤‹†t ›L’V
ŽO ŽR¼ÈlŒÃŒ¤‹†Š ‘¾Œ´Žs•¶•¨lŒÃŒ¤‹†Š ‘¾Œ´ŽsWŒ¹‹æ•¶•¨—·—V‹Çs‘¾Œ´ä@‹ñO•æt æâ–¯




Copyright (C) 2007 Frelax ShuChong All rights reserved.@‘’Ž