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”ÍŒi’† “™•Ò “싞Žt”Í‘åŠw 2007”N11ŒŽ p750/16ŠJ/•½‘• ISBN7811016613 |
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cc‰œ‘ï.ŒÉŽ¢ä¢ï ãx“N–ó | ||||
“ñ | æëŒÉŽ¢ä¢s“Œ¼•û çðŠÂŽ‚ä_t | ãx“N | ||
ŽO | ˆâç‘A‹I”O”è˜a”pšÐF“–“Œ•û–ʑμ•û | |||
ccˆ¢—–.Ž{”[• ï —›‹Å‹ð –ó | ||||
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cc˜úŠ¿Žv ï ”žÃ“øA‰©“ø –ó | ||||
Ά | "China,Roger Fry,and the Culrural Politics of Modernism" | |||
ccMartin Powers | ||||
˜Z | The Construction of Chinese Art History and Japanese Impact on the Republica Art World | |||
cc"Julia Andrews,Kuiyi Shen" | ||||
޵ | ]‰©•o“ø‰Ô’¹‰æ”VŒ¹—¬Í‘´—Õ摹ŠÏ”O | ’£í•— | ||
”ª | ŒÃ‰æ’†“IV˜Á’lF•¶lŒ|p˜a’†‘‰æŠwŒ¤‹†‰ï | ‘·àï | ||
‹ã | ŠsŽá‹•“I‰Æ¢A¶•½˜aŒð—VF‘Η¤SŒ¹—^õ˜ÎŽ¢ | Šs‘hí | ||
\ | ‘ŠŠÖŒ¤‹†“IÄŒŸ“¢ | Šs‘hí | ||
\ˆê | ¾‘ —^ŠÓÜ | |||
ccŽz“Á™Ö ï ’Âˆê”~ –ó | ||||
\“ñ | sŠiŒÃ—v˜_t”Å–{‹y‘´Œ¤‹† | Œáª | ||
\ŽO | ¹åõ‹y‘´Œ|pŒð‰—^¾‘ | “’‰F¯ | ||
\Žl | ‰¤’ž“Il¶Œo—ð˜a‘–@•—Ši‰ðÍ | åL—´t | ||
\ŒÜ | –n—–“I•—Ši‰‰•Ϙa—¬”h | ‘·Ã | ||
\˜Z | Unframing Chinese Art | |||
ccCraig Clunas | ||||
\޵ | The Inventor Wen-ying Tsai | |||
ccYang Siliang | ||||
\”ª | Œ|Ši•~ŽŒ[ekphrasis]:ŒÃ“TCŽ«ŠwpŒê“IŒ»‘㟥•Ï | Š‹‰Á–N | ||
\‹ã | s—ð‘ã–¼‰æ‹Lt’†“IŒ|Ši•~ŽŒ | àN•¶‹¦ | ||
“ñ\ | ˆÛ–€‹l‰æ’†”VˆÓ‹« | Žü“V˜Q | ||
“ñ\ˆê | “ú–{鎛‘ sŒÜ•”SŠÏt | ‰¤‰_ | ||
“ñ\“ñ | s–Ö›P—íä³tV’TF—‰‰œ”[Ž¢‘½“IŽ‹Šo’mޝ—^‘¼“I—pŒõ‘I‘ð | |||
ccZ.H˜Ó”b.äÉ—Í•HŽ ï è–ôŠC –ó | ||||
“ñ\ŽO | •¶Œ|•œ‹»Œš’}—˜_’†“I“`摹–ÍŽ® | |||
ccŽ—¢Žz‘ï•v.‘“àŽz ï Šç—E –ó | ||||
“ñ\Žl | W’†Ž®‹³“°—^•¶Œ|•œ‹» | —kŒ«@ | ||
“ñ\ŒÜ | ”É•œ—^’˜F”œ—¢ŽzA•¨}ˆÄŒ¤‹† | ”žÃ“ø | ||
“ñ\˜Z | ”nèÓ“I}‘œŠwŒ¤‹† | ”~›P–F | ||
“ñ\޵ | dV葎ߗ€Ž¢•v—ÑFVN“¿Žå‹`—^‘FŽßŠw | |||
ccàù.™û“Á ï —kŒ«@ –ó | ||||
“ñ\”ª | ‰Ì“¿—^õèÓ“I’k˜b˜^ | |||
cc䈎™Ö ®— ^“V•x –ó | ||||
“ñ\‹ã | Die Wiener Schule der Kunstgeschichte | |||
ccJulius v.Schlosser | ||||
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