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�Vád“f˜D”Ô’n‹æ•¶•¨‹Ç •Ò �ãŠCŽ«�‘ 2006”N10ŒŽ p450/16ŠJ/�¸‘• ISBN753262059X |
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| �c�càó—íˆÀ›P.‰ëŽ¢çŒŽz | ||||
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| ”ª | �ó’k—·�‡”Ž•¨ŠÙ�¾‘ “I“f˜D”Ô•¶•¨ŒÃ�Ð | |||
| �c�c䈎¢�m.ˆÉ–¾“ò‰åŽy.ŒÉ“f˜D�Ž | ||||
| ‹ã | “¿�‘“I“f˜D”ÔŠwŒ¤‹† | ãÔ�¢–¯ | ||
| �\ | ŠÖ˜°Œš—§“f˜D”ÔŠwŽ‘—¿ŒÉ“I�‰•à�\‘z | ŽÄŒ•“ø | ||
| �\ˆê | “f˜D”Ô�o“y•æŽuŽD‹L | ‹–‘S�Ÿ | ||
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| �\ŒÜ | “f˜D”Ô�Š�o“‚‘ã•¶�‘’†“IН‰c’{–q‹Æ | |||
| �c�c[nie4]�¬�g | ||||
| �\˜Z | “f˜D”Ô�Š�oˆß•¨‘`Œ¤‹†“ñ‘è | —«ˆÀŽu | ||
| �\޵ | –¾‘ã“f˜D”Ô’n–Ê‹»‹N�l�q | Ž{�V‰h | ||
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| �\‹ã | —·�‡”Ž•¨ŠÙ‘ “f˜D”Ô�o“y�s‘å”ÊŸ¸”ÖŒo�t�i–k–{�j‘�ŠúŽÊ–{“I™žŽ¯—^’ÔŽc�iˆê�j | |||
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| �c�cˆÉŽz�f”㎢.‹Ê‘h•á ˆÀ“òТޢ.™ûŽz–Ø | ||||
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| “ñ�\“ñ | ?qŽ��‚�¹�‘“I�«ŒR�†˜aŒ“Н | |||
| �c�c–{ŠÔа”V | ||||
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| �c�cŠÖ”öŽj˜Y | ||||
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| �c�c‰¢Žz™Ö.äÉ�ŽŽ¢.ŽFŽ¢“Á[ka3]ˆŸ | ||||
| “ñ�\ŒÜ | ‰ñêRŒêKazig—^�‚�¹‰ñêR‰¤�‘�Å–ð�§“x“I•£Œ¹ | �¼ˆä‘¾ | ||
| “ñ�\˜Z | Further Thoughts Sarthavaha | |||
| �c�cAlbert E.Dien | ||||
| “ñ�\޵ | Traces of Indo-Europeans in toponymy on territories to Eastern Turkistan | |||
| �c�cChuyev N.I | ||||
| “ñ�\”ª | How the Texts found in Turfan were transferred to the Library of Istanbul University�H | |||
| �c�cAyse Gul Sertkaya | ||||
| “ñ�\‹ã | Two Parthian hymns about salvation�iM275a+and M830+�j | |||
| �c�cDesmond Durkin-Meisterernst | ||||
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| ‘æ“ñ•Ò | �lŒÃ—^Ž©‘R‰ÈŠw•Ò | |||
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| ”ª | ”ž�Ïàz—ì‘�Šú”¼•ÎåÖŒU�¾�¼‘Q�‚�¹-Œ“’k“f›¹�a44ŒA“IŽž‘ã | ‰Ä˜N‰_ | ||
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| �\ | “f˜D”Ô�o“y–a�D•i‘Î�Ì–ä—l“IŒ|�p•—Ši’T‹† | Ÿu•Ÿ—– | ||
| �\ˆê | �ó’k�Vád�o“y“I’Gâ±âº | |||
| �c�c‰½–F —›‹ | ||||
| �\“ñ | �“ºŠí“I“Œ•û—¬“`‹y‘´“Á�F | |||
| �c�c›¼“àŽO�^ | ||||
| �\ŽO | ˆ¢Žz“ƒ“ߘa�a�¼•æ’n“IŽÎ𱕿“¹“´Žº•掎�Í | |||
| �c�cŽ�“c‘å•ã | ||||
| �\Žl | “f˜D”Ô’n‹æ�“ºŠí•¶‰»“I•ª�Í | Œã“¡Œ® | ||
| �\ŒÜ | A Central Asian Caravaneer Mingqi in an Italian Collection | |||
| �c�cMatteo Compareti | ||||
| �\˜Z | The Asian Migrations of the Alans in the 1stCentury AD | |||
| �c�cSergei G.Botalov | ||||
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| ‘æŽO•Ò | ŒêŒ¾—^�@‹³Œ|�p•Ò | |||
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| “ñ | �g“f˜D”Ô�h“IŒÓŠ¿–¼�Ì—^ŒêŒ¹�V’T | ‰©�·àö | ||
| ŽO | �ŽŽyŽ¢�ÎŒA•lj撆“I�sŒ«‹ðŒo�tŒÌŽ–Œ¤‹† | æâä» | ||
| Žl | �‘‰Æ‹{ŠÏ㤗�’†“I�¼�B“¹‹³-“‚‘ã�¼�B“¹‹³•â�à | —‹•· | ||
| ŒÜ | ŽÔŽt�lŽí˜aŒêŒ¾“I‘®�« | ‘K”Œ�ò | ||
| ˜Z | ŠÖ˜°‹Tä¢�ÎŒA“I�¾œÃ�} | |||
| �c�c�X”ü’q‘ã | ||||
| ޵ | Views on Afterlife and Funerary Rituals reflected in Tomb Paintings from Turfan | |||
| �c�cXijuan Zhou | ||||
| ”ª | The Seed on the Field�FThe Sogdian Version of Mani�Œs Letter of the Seal | |||
| �c�cChristiane Reck | ||||
| ‹ã | Could Turfan Be the Birthpiace of Visualization S[wu1]tras�H | |||
| �c�cNobuyoshi Yamabe | ||||
| �\ | Appearances of Future Tense in New Uighur | |||
| �c�cKemal Eraslan | ||||
| �\ˆê | Vaisravana and the Lokap[a1]las�FGuardian Figures in the Art of Turfan and Beyond | |||
| �c�cJanet Baker | ||||
| �\“ñ | The Art of Chinese Infiuence at the �gHall of Ambassadors�h in Afrasiab | –Ñ–¯ | ||
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